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Indian Cinematographers Society Founding Member Ics Talks About Rajeev Jain: Kenya in September Terminology

Society of Cinematographers Rajeev Indian ICS founding members of Jain Talks About: Terminology Kenya in September

 

Rajiv Jain is the director of Kenya Indians of photography. is underway.

AD - Assistant Director.

ADR - additional (or automatic) Replacement Dialogue. Sometimes called

"Looping."

ART a

casting director, for which is required reading.

Avall - A courtesy situation of an agent to a producer indicating

that a performer is available to work a certain job. Do not use legal or

contractual status.

SACKGROUND - Extras.

BACK-UP - A performer hired to work only If the director appointed

does not perform satisfactorily.

Beauty Shot - On TV soaps, the shot on that - real Tha movements physical actors in a scene.

BOOKlNG - A firm commitment to an interpreter for a specific job.

BOOM - An overhead microphone, of functions available for detaiied

production quality.

Purchase - An offer of full payment in advance rather than waste when

face. Close-ups

can be anything.

COLA - Hand signal by the director.

CUTAWAY - A short scene between two takes of the same person, showing

something other than that person.

DAY PLAYER - A performer hired on a daily basis, rather than a time

fixed-term contract.

DAYTlME DRAMA - telenovela.

DEAD AIR - Silence in a broadcast.

DISTRIBUTOR COMMERCIAL - A national trade produced and paid for a national advertiser and then released to local distributors time to read air

so DP - Director of photography or photography.

DRESS - A contractual status in establishing a performer and

rehired in the same production.

Dupe - A duplicate copy of a film or tape, also a dub. "

8x10 - Commonly used glossy photo size.

18-A-GO-JOVEN - Legally 18 years old, but it can be convincingly cast as

a younger age.

adults by a judge.

EQUlTV Person responsible for the financing of production.

EXT - Inside or outside shot, a scene filmed (Federal Insurance Corporation of Kenya).

FIRST REFUSAL - before the performer takes a job in conflict.

FIXED CYCLE - In film, a crew member who places lighting equipment.

GLOSSY - A process of glossy photos.

GBFER the honewagon also used when referring to the toilet.

INDUSTRIAL - Non-broadcast often education, films or tapes.

lNSERTS - Images, usually close-ups of hands or business nearby, attaches

previously recorded images.

INT - Internal or an inner chamber.

"IN" TIME - The actual call time or start time also, a return time

rest.

LlFT - Process of taking a sequence of creating a commercial for all or

part of the Union).

LONG SHOT (LS) - A camera shot which captures meals provided

or meal breaks as specified by the contract.

Monologue - A solo show of an actor.

MOS (Mit sound / movement Shot only) - Any shot without dialogue or

sound.

MOW - Movie of the Week.

NATIONAL screen.

OPEN TIME - The actual time after it has changed

closet and released.

OVERDUBBlNG - In the song of study or work voice, the process of laying a new

soundtrack of more than one man.

OVERTlME (OT) - Work extending beyond the day as

official employer DOUBLE - An actor cast to perform at the camera instead of another.

"POP" or PLOSlVE - the release sudden lock-in the air causing a popping sound at the microphone, usually TYPE - A preparation of this aspect of the school-casual.

PRlME TIME - Programming to day decision making in a production.

PROFlClENCY TEST - An advanced placement test taken by the High

school students achieve equivalence of high school graduation announcement.

RATlNGS - Public surveys used to measure the number of viewers of television or

The changes in the script, often using color-coded pages.

RHUBARB - live crowd noise (also known as "Walla").

teleplay, radio or theater.

SCRlPT SUPERVlSOR - The crew member assigned to record all changes or

actions as it moves production. BANDA SONORA - The audio portion of a film or television production.

SPEClAL BUSlNESS - Specifically targeted by the action of an extra player.

Spot - A marketing message, normally reserved for the chance.

STAGE MANAGER - The person who oversees the technical aspects of production instudio.

STANDARD UNlON CONTRACT - The standard format or contract approved

by the Unions and offered to artists before the work.

RULES & PRACTlCES - The stunts rather than a major player.

SUBMlSSlON to work previously recorded.

SYNDlCATION - The sale of television programs to individual stations the film, unlike

ads.

3 / 4 "TAPE - videotape Industrial quality, requires special tape recorder.

Two strokes - A camera framing two persons.

Substitute do the main work, resulting in payment of principal.

CYCLE USE - All time Chinese American parents, his father worked as a banker and his mother was a piano teacher. Educated at Stanford University, where he obtained his BA in English in 1979, became interested the participation of live theater. For years his senior, who wrote and produced his first play, FOB (an acronym for "newcomer About the Author

Born in Los Angeles, David Henry Hwang is the son of immigrant Chinese American parents; his father worked as a banker, and his mother was a professor of piano. Educated at Stanford University, from which he earned his B.A. in English in 1979, he became interested in theatre after attending plays at the American Conservatory in San Francisco. His marginal interest in a law career quickly gave way to his involvement in the engaging world of live theatre. By his senior year, he had written and produced his first play, FOB (an acronym for "fresh off the boat"), which marked the beginning of a meteoric rise as a playwright. After a brief stint as a writing teacher at a Menlo Park high school, Hwang attended the Yale University School of Drama from 1980 to 1981. Although he didn't stay to complete a degree, he studied theatre history before leaving for New York City, where he thought the professional theatre would provide a richer education than the student workshops at Yale.